The Story ⚡
Weaving a complex tale of family secrets, mental health, and the intoxicating power of love – AJA shot on location in Badagry has wrapped filming.
Tell Me More
Aja, a dark psychological thriller, shot in atmospheric landscapes of Badagry is now in post-production.
Directed by Adeniyi Joseph (TAJ) and written by producer Titilope Orire, the film explores dark family secrets and intense obsession, set against the haunting backdrop of a secluded cemetery, with cinematography led by Loye Akinyemi. It follows Aja, a young man who grapples with his family’s sinister, generations-old trade in grave desecration. Years of psychological abuse fuel his inner struggles, and his only respite seems to lie in Asha, a captivating photographer who lures him into a world where love and madness intertwine.
With a powerful cast featuring Yvonne Jegede, Olarotimi Fakunle, Bimbo Akintola, and others, Aja, promises a profound exploration of the fine lines between family loyalty, trauma, and obsession. Produced by Forst Media, Adnom Media, Pen97 Production, Jioh Media, Nostalgia Media, and Tlsplace Media.
First Look Images
‘Aja’ Creators on Pushing Nollywood Boundaries
In an exclusive conversation, producer Titilope Orire reveals the driving force behind bringing ‘Aja’ to life: “Now is the perfect time to push Nollywood’s boundaries with a story that delves into the uncharted territories of the psychological thriller genre. ‘Aja’ confronts taboo subjects – trauma, mental health, family secrets, and the dark intricacies of human relationships – sparking necessary conversations and emotions.”
Director Adeniyi ‘TAJ’ Joseph adds, “I’m thrilled to venture into uncharted territory with ‘Aja’. Filming amidst the eerie silence of a cemetery was a poignant reminder of mortality. I’m eagerly anticipating audiences’ reactions, as they unravel the layers of this complex narrative. What appears on the surface is only the beginning – the true essence of ‘Aja’ lies beneath.”
Key Background
Adeniyi “TAJ” Joseph-Omobulejo is a dynamic Nigerian storyteller known for his commitment to using film as a medium for cultural and social impact. With a versatile skill set as a director, cinematographer, editor, and creative producer, TAJ brings a comprehensive understanding of visual storytelling to every project. His experience spans numerous TV and film productions, including his notable work on the 3,000-minute prime-time series Elenini for Mnet and Pepersoup, a 13-episode series for Peacock Africa. He’s also directed Ololade, a six-part web series for TNC Africa, showcasing his flexibility across traditional and digital platforms.
Beyond TV dramas, TAJ has directed brand storytelling content, working with major clients such as Visa Card, Velleta Wine, Confam Bitters, and Multichoice Nigeria. As the Creative Director and founder of Nostalgia Media Agency, he leads a team that creates both narrative films and corporate content, emphasizing compelling visual narratives.
His work on documentaries for organizations like LASEMA Response Unit, Kobo 360, and Digify Africa highlights his dedication to meaningful stories that drive positive change. Known for his approach to storytelling as both a responsibility and a tool for inspiration, TAJ continues to expand his craft, aiming to bring forth inspiring narratives from Africa to a global audience.
Tangent
Psychological thrillers in Nollywood are a growing genre, and Aja could mark an exciting milestone in the industry. This genre explores the darker sides of human nature, often delving into themes of mental instability, obsession, and manipulation, which challenge the boundaries between reality and perception. Films like Living in Bondage: Breaking Free (2019) set the stage for Nollywood thrillers with complex narratives about power, wealth, and the psychological costs of ambition, using suspenseful storytelling to keep audiences invested in the protagonist’s downward spiral. Similarly, Sylvia (2018) introduced a supernatural twist to a love story that becomes a psychological battle, as the main character faces the darker aspects of his desires and regrets.
Aja takes this trend further by exploring trauma and family secrets in a way that taps into the horror genre’s influence, particularly by setting the story against Badagry’s atmospheric landscapes, which contribute to a sense of dread and inevitability. This eerie backdrop elevates the psychological tension, using Nigeria’s historical landmarks to enhance the story’s weight and authenticity. By merging romance with psychological horror, Aja aligns with a global trend, showcasing how Nollywood can create thrilling stories that are unique to African settings while drawing on universal themes of love, fear, and trauma.
In Summary
Mark your calendars for 2025 as Aja brings to light the hidden truths of Nigeria’s cemetery trade, offering a unique blend of psychological thriller and cultural commentary.
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