⚡The Story
The Film Lab Africa programme’s microfilm category has successfully produced ten innovative filmmakers who have pushed the boundaries of storytelling by using smartphones to create captivating films, introducing a new wave of creative filmmaking and boosting the Nigerian film industry
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A new generation of storytellers ready to captivate audiences with their unique and powerful narratives. It’s remarkable to think that we are now in an era where high-quality films can be crafted with nothing more than a smartphone. This innovation reflects not only technological advancement but also the boundless creativity of Nigerian filmmakers.
The British Council’s Film Lab Africa programme has been a beacon of opportunity for budding filmmakers, nurturing their talents and guiding them through the intricacies of filmmaking. Among the programme’s many successes, the microfilm category stands out, producing ten filmmakers who through the innovative style of filming with smartphones have told compelling stories and have introduced a new and creative way of filmmaking while promoting the growth of the Nigerian film sector.
These ten exceptional films promise to captivate audiences far and wide. Here are the ten microfilms you should expect from the inaugural Film Lab Africa programme cohort;
As the city buzzes with life, Temiloluwa Oluokun’s “Driftwood” tells the story of Ama, a young woman torn between her Yoruba heritage and her sheltered upbringing. Her journey of self-discovery along the English coastline, guided by a mysterious deity, is a poignant exploration of identity and heritage.
Tolulope Odebunmi’s “Bottled Up” offers a fictional yet insightful look into the music industry. It follows Olaolu, an emerging artist ensnared by a deceitful producer, shedding light on exploitation and the myth that creativity must be linked with a reckless lifestyle.
With a touch of humor and insight, Jennifer Nkem-Eneanya’s “The Constipated” follows, a high-powered executive whose arrogance and control are upended by severe constipation on a crucial day. Humbled by a series of embarrassing incidents, Baron emerges transformed, donning the Cleaner’s coveralls and embracing newfound humility.
Gafar Ayinde Amoo’s ‘A Journey To Iyake Suspended Lake” invites viewers to Nigeria’s Oyo State to explore the mystical Iyake lake. This documentary features breathtaking visuals and insightful interviews, delving into the folklore and spiritual significance of Africa’s only suspended lake.
Afahaene Winifred Allen’s “Ekemini” introduces us to a resourceful boy from Uyo who creates architectural wonders from discarded cartons. Despite challenging circumstances, Ekemini’s creativity and determination shine brightly.
Capturing the vibrant energy of Nigeria’s urban youth, Adikwu Lucy Hannah’s “Urban Hustle” takes viewers into the heart of Lagos, exploring the lives of street vendors with intimate interviews and observational footage. This documentary highlights their resilience and vibrant spirit as they navigate one of Africa’s most bustling cities.
Olatomi Falore’s “Home With You” is a romance that unfolds at an airport, following Deji and Anwuli as they connect over shared passions and navigate their love story in Lagos.
Reflecting on life, age, and the passage of time, Fortune Animiokhali’s “At Fifty” tells a compelling story of love and societal pressure. Cheta and Ife must navigate their relationship amidst cultural bigotry and family expectations, reflecting on the personal and societal challenges of love.
Samuel O. Olateru’s “The Tragic Split” is a visually stunning film that follows Segun’s struggle with split personality disorder. The narrative navigates themes of love, betrayal, and redemption as Segun grapples with his alter ego, Frank, and a tumultuous relationship with Delilah.
Lastly, Peace Monday Shalom’s “Rage” presents a gripping narrative about Soji, a tricycle rider in Lagos, whose anger leads to a tragic confrontation with a passenger. The film explores intense themes of regret and the human capacity for violence during emotional upheavals.
Brenda Fashugba, British Council’s Head of Arts Nigeria and SSA Lead on Creative Economy, shared her excitement, stating, “We are confident that these films from the filmmakers would be thought-provoking, engaging, visually stunning and will resonate with audiences around the world. Their stories have the power to inspire, educate, and entertain, and we are proud to support them in their creative endeavours to showcase the finished films at festivals, screenings, and other cultural events.”
The Film Lab Africa film accelerator programme has been instrumental in shaping these filmmakers’ visions, providing them with the support, guidance, and resources needed to bring their stories to life. Each filmmaker was paired with a seasoned mentor, ensuring that their creative journey was enriched with valuable insights and industry expertise.
As these microfilms move into the showcase season, they stand as a testament to the talent and creativity flourishing within Nigeria’s film industry. Stay tuned for the release of these remarkable films.
About Film Lab Africa
Film Lab Africa is a film accelerator programme by the British Council aimed at nurturing the next generation of filmmakers in Africa. The initiative provides comprehensive training, funding, and mentorship to emerging filmmakers, helping them develop their skills and bring their unique stories to life.
